Wednesday night saw a huge number of antipodeans (and others) descend upon Koko to watch Aussie rock band, The Living End. Good doesn’t really begin to describe how the night went. It helped that they had some really decent support acts, including Tellison and I think the other people were called To The Bones. Both served to warm up a full house audience on all floors.

We stood fairly close to front of stage, close enough to be pushed around and jump around in some of the audience, but far enough not to be involved in the crazy antics that probably happens at most of The Living End’s gigs. They did an awesome job cycling through plenty of their classic tracks across their five albums, as well as a number from their newest, White Noise which I can highly recommend.

It was definitely a high energy audience, fuelled by an equally high as energy band churning out some amazing tracks. Everyone was friendly, made happy with the great tunes and the only people that ended up dragged out of there were those that were crowd surfing their way to the security at the front of stage. An awesome night that probably left most people pretty sweaty and satisfied.

(Picture above is linked to the original source and that you can tell that I didn’t take with my camera phone).

Wednesday night saw Australian band, Eskimo Joe take to the stage at Camden’s Koko. I love the venue having been here multiple times but I didn’t even know about the other floors that tower high above. We ended up in the JD lounge on the top most floor where you need to pass through a menacing leather bound door that make it looks like some sort of private members club. On the way back from the toilets, I passed a couple who looked cautious about entering and was about to turn around when I told them that it was fine and open to everyone. Unlike other venues with multiple floors, you still got a great view of all the action down on stage.

I can barely remember the name of the support act. It was a bloke from Leicester who had a decent voice but played some fairly average tunes. He played about five or so songs before handing the stage over to Eskimo Joe who came on at quarter past nine. Having seen them several times back home, what always impressed me about them is that they made some decent effort to connect with the audience and chat such as giving a bit of a brief background to some songs without turning it into some sort of soppy lecture. They always joke between themselves and seem pretty down to earth. As an example, their lead singer, Kavyen apologised to the entire audience when he realised his fly wasn’t done up somewhere through the set. None of this dashing off stage or anything like that.

Eskimo Joe played a great selection of plenty of songs mainly from their last two albums, and a handful of newer ones that will be coming out for their new album in a couple of months. What struck me about their newer songs is that they sounded very retro, very 80s-like and you can see that they’ve been experimenting with their sounds. Even their third album compared to the previous two was a lot moodier and sombre than the upbeat tunes you’d find on the first two.

It was a nice mid-week break to go and watch some live music. Particularly listening to some live music from a band that I enjoyed listening to when I was back home. It seemed like the very heavily anti-podean crowd enjoyed them just as much.

TheKua.com Rating: 8 out of 10

The last two weeks have been fairly busy and in between travelling away on long weekends, I’ve managed to get to a few concerts around townw. Last Monday (December 1, 2008), I caught The Kooks at one of my favourite venues, The Roundhouse. Okay, I’ll be the first to admit that their music is indie pop, but regardless of genre, their high energy songs and enthusiasm mean that they just put on an amazing set. They played a mixture of their first and second albums with a couple of new songs thrown in just for the mix. Of course, the only downer at the end of the evening was trying to escape The Roundhouse with their main staircase the only way to exit. I can’t imagine what it would be like there if they ever had a fire (although fortunately they also have the lovely outdoor terrace to escape to I guess).

The Wednesday after (December 3, 2008), I saw Coheed and Cambria’s Neverender Tour at The Astoria. This was my first, and sadly, probably my last time to go to see a gig in one of the more relatively intimate venues in London (since it will be demolished to make way for the crossrail). It’s a great sized venue with the standing area being slightly wider than it is deep meaning that pretty much every gets a great view of the stage. Anyway, back to CoCa… I was surprised to first read about CoCa’s Neverender Tour, a series of gigs, one night after another where they would play one of their albums each night, with a bonus acoustic set for those fans that went every single night. Although I like them, four nights in a row was a bit excessive (and impossible since I was leaving the country for a long weekend) yet it still seemed to sell out. Gerrod and his mate Al, were one of the many that went every night.

As far as the evening went, their progressive rock went down a treat with the audience with a lot of people in the audience singing along to many of their songs. Funnily enough, their lyrics are quite different from your typical band, instead reflecting the storyline and tales of the fictional universe from The Armory Wars comics, written by one of the band members.

Finally, on Tuesday this week (December 9, 2008), I saw Californian born and Texan raised musician, Ben Kweller at the Union Chapel. Firstly, the venue is simply amazing with fantastic acoustics and an extremely intimate feel. Unfortunately I found the pews to be quite uncomfortable by the end of the evening. Extremely talkative and obviously very friendly, Ben Kweller struck me as an American version of Ben Lee. Kweller seemed to have some story to tell about a lot of his songs and talked casually to the audience. Also, considering it was just him and his buddy, Kitt Kitterman, I liked the way that he still seemed to be energised, and unphased by anything, such as when a guitar string broke for their “specially tuned” encore song and he simply shrugged it off and changed songs until Kitt mended his guitar.